With more than fifteen million items compiled in the space of just three years, Wikidata is set to become the main open data repository worldwide. The eagerly awaited promise of linked open data seems to have finally arrived: a multilingual, totally open database in the public domain, which can be read and edited by both humans and machines. A lot more free information, accessible to many more people, in their own language. The structure of the Wikidata information system and the open format allows us to make complex, dynamic queries, such as: what are largest cities in the world with a female lord mayor or the number of ministers who are themselves the children of ministers, to name just two of innumerable examples. Wikidata is a new step forward in the democratisation of access to information, which is why the most important thing right now is the questions we ask ourselves: what information do we want to compile? How can we contextualise it? How does this new tool affect knowledge management?
With the introduction of the Internet, we now assume that information is just a click away. Thousands of people around the world post their creations online without expecting anything in return: guide books, manuals, photos, videos, tutorials, encyclopaedias and databases. All of it information at our fingertips. To ensure that the sum of all this knowledge reaches all human beings in their own language, free of charge, the Wikimedia Foundation runs many projects, free of charge, with one of the most successful being Wikipedia. The English version of Wikipedia reached five million entries in October 2015. But this version is culturally biased, with an over-representation of Western culture. In fact, it only includes 30% of the items entered in the other 287 languages that form part of the Wikipedia project, which now has a total of more than 34 million articles. Many of the articles that refer to a particular culture only exist in the language of that culture, as can be seen just by looking at the maps of geolocated items. There is a lot of work to be done: it is estimated that in order to cover all human knowledge, an encyclopaedia today should have over 100 million articles. Now that we know that it is possible and that everything is just a click away, we want to have the biographies of all the Hungarian writers available in a language that we understand, and we want it now. Local wiki communities around the world try to compile their own culture in their own language as best they can, but they often have limited capacity to influence the main body of the overall project. There are thousands of articles about Catalans in the Catalan version of Wikipedia, but there are not so many in the Spanish version, much less the French, and much, much less the English version. How can we disseminate our culture internationally if we’re still trying to compile it in our own language? How can we access information that is not written in any of the languages that we are fluent in? The defense of online multilinguism entails as many challenges as opportunities.
For this reason among many others, in 2012 the Wikimedia Foundation created Wikidata: a collaborative, multilingual database that aims to provide a common source for certain types of data such as dates of birth, coordinates, names, and authority records, managed collaboratively by volunteers around the world. This means that when a change of government occurs, for example, simply updating the corresponding element on Wikidata will automatically update all the applications that are linked to it, be it Wikipedia or any other third-party application. It means that we do not have to constantly reinvent the wheel. This collaborative model helps to reduce the effects of the existing cultural diglossia, given that small communities can have a greater global impact in a more efficient manner. In the medium term, all Wikidata queries will include data from all over the world, not just from the cultures or historical communities with greater power to influence. A search for “doctors who graduated before they turned 20”, for example, will not only display French and English doctors, but also doctors from Taiwan and Andorra.
This project opens up a whole new world of possibilities, for collaboration and for using the data: the Wikidata game allows users to make thousands of small contributions while playing, even from a mobile phone while waiting for a bus. Inventaire allows people to share their favourite books, and Histropedia offers a new way of visualising history through timelines. Meanwhile, scientists from around the world are uploading their research databases, and the cultural sector is building a database of paintings from all over the world . All of these projects run on the Wikidata engine, which is becoming a new international standard.
And why Wikidata and not some other project? Internet standards do not necessarily become accepted because of their ability to generate authority, but because of their capacity to generate traffic, or their capacity to be updated. The winner is not the best, but the one that can assemble the greatest number of users and be updated more quickly. This is one of the strengths of the Wikidata project, given that thousands of volunteers are constantly updating the information. As a result, any application or project based on big data can take advantage of all of this structured knowledge, and do so free of charge. All of this means that we have to reconsider the role that traditional agents of knowledge (universities, research centres, cultural institutions) want to play, and the role or the possible role of the repositories of authorities around the world, now that new tools are mixing and matching and creating a new centrality.
Cultural institutions, for example, have to deal with the challenge of the lack of standard matching criteria used to document artworks in their catalogues, such as for example: dimensions with frame, without frame, with or without passe-partout, descriptions in text format, number fields… institutions have to bring order to their own data at home before opening up to the world. Being open means interoperability. Many institutions are already adapting: authority file managers such as VIAF are openly collaborating with Wikidata, and the Museum of Modern Art has also started using it in its catalogue. In Catalonia, Barcelona University, in collaboration with Amical Wikimedia, is behind one of groundbreaking projects in this field, which aims to create an open database of all works of Catalan Modernism.
Data in itself is not knowledge. It is information. With the emergence of a new, very dense ecology of data that is accessible to everybody, we run the risk of trying to over-simplify the world: a description, no matter how detailed, will not necessarily make us understand something. Knowing that Dostoyevsky was born in 1821 and died in 1881 and that he was an existentialist is not the same as understanding Dostoyevsky or existentialism. Now more than ever, we need tools that will help us to contextualise information, to develop our own point of view, and to generate knowledge based on this information, in order to promote a society with a strong critical spirit. And we shouldn’t forget that data in itself is not objective either, even though it supposedly purports to be neutral. Data selection is a bias in itself. The decision of whether or not to analyse the gender, origin, religion, height, eye colour, political position, or nationality of a human group can condition the subsequent analysis. Codifying or failing to codify a particular item of information within a data set can both inform and disguise a particular reality. Data is useless without interpretation.
The impact of the emergence of Wikipedia on traditional print encyclopaedias is common knowledge. What will be the impact of Wikidata? In line with the wiki philosophy, the work is done collaboratively in an asymmetric but ongoing process. We can all collaborate in the creation and maintenance of the content, but also of the vocabulary, of the properties of different items, and of the taxonomies used to classify the information. We are deciding how to organise existing information about the world, and we are doing it in an open, participatory manner, as an example of the potential of technology. We know that human knowledge evolves cumulatively, and that Western culture is essentially inherited. Our reality is determined, in a sense, through the technological, social, political, and philosophical advances of those who came before us. This means that today’s generations don’t have to discover electricity all over again, for example. We enjoy the fruits of the efforts of our ancestors. But the Internet, for the first time, allows us to be involved in a phenomenon that will mark human history: we are defining and generating a new information ecosystem that will become the foundation for a possible cognitive revolution. And we are lucky to be able to participate, question, and improve it as it evolves. Together, we can participate in a historic project on a par with humanity’s greatest advances. We can create a new Rosetta Stone that can serve as an open, transparent key to unlock the secrets of today’s world, and perhaps as a documentary source for future generations or civilisations. Let us take responsibility for it.
This article originally appeared on the CCCB Lab blog of the Centre de Cultura Contemporània de Barcelona and is reprinted here with the permission of the author.
In the run-up to the December fundraiser, Wikimedia Foundation Director of Online Fundraising Megan Hernandez posted another fundraising update on the Wikimedia-l mailing list (see last month's Signpost coverage of the previous update).
Below is the full text of Megan's update.
“ | We are just a few weeks away from the launch of the December English fundraiser. The end of the year is the most critical time of the year for Wikimedia’s fundraising: The goal this year is $25 million. The campaign will launch in the US, UK, Canada, Australia, New Zealand and Ireland on Giving Tuesday, December 1st.
In these past months of preparation, we have relied on feedback from the volunteer community, readers, and staff through discussion pages, feedback sessions, phone calls, interviews, user testing, surveys and A/B tests. Thank you to everyone for participating! It has truly been a helpful experience and wonderful to hear from so many voices from all different parts of the movement. In just the last two weeks, an independent research firm conducted a new survey of Wikipedia readers. (You may remember that we did a similar survey last February.) We heard from you last spring that there were some additional concerns that you would like us to explore with readers. We tried to look into those concerns in this survey. We have uploaded the survey report on Commons for anyone who is interested in reading it. We have also setup a section on the Fundraising Meta page to discuss the survey. The feedback from readers, the volunteer community and staff has been critical to shape the campaign. Several improvements have been made so far as a direct result of this input. We have changed a few specific sentences of the message that were discussed heavily on meta pages and also tried a variety of design ideas based on comments. We also have some fresh banner ideas that came about through a recent workshop with staff. We will be testing those new banner ideas in small runs throughout the campaign as well. And we’re still gathering ideas! To see the latest version of the message and submit your ideas, please visit the fundraising ideas meta page. Since last year, we have made improvements to our banner targeting and analytics systems with the goal of raising the budget, while limiting the number of banners and disruption for our readers. We aim to run the campaign for roughly two weeks at a high traffic level and then at a much reduced level for the rest of December. The fundraising team faces a great challenge this year: the highest revenue target in WMF history along with a decline in page views – particularly in desktop pageviews where readers are more likely to donate. The team has and will continue to work hard to make improvements needed to reach this goal. We cannot do this alone. Thank you to everyone who has offered input, expertise, time and energy into helping make this fundraiser a success. We look forward to your ideas and questions. Since the team experiences an incredibly high volume of seasonal work, we will not be able to respond immediately to questions or feedback. We will review feedback and bug reports regularly and we have dedicated time to post an update by mid-December and again at the end of the campaign. Here’s how to get involved:
Thank you to everyone who has contributed to the campaign preparations. More importantly, thank you to the entire Wikimedia community for building this incredible project that readers love and support with their donations. None of this would be possible without you. Megan |
” |
AK
The Funds Dissemination Committee (FDC) has published its recommendations for round 1 of the 2015–2016 Annual Plan Grant program, as summarised in the following table:
Applicant | Amount requested | Amount recommended | Indicative recommendation in USD (approx) |
Percentage recommended |
Change in allocation from last year |
Amical Wikimedia | EUR 68,000 | EUR 68,000 | $76,000 | 100.0% | −17.2% |
Wikimedia Argentina* | USD 241,680 | USD 232,500 | $232,500 | 96.2% | 9.7% |
Wikimedia CH | CHF 315,000 | CHF 294,000 | $305,000 | 93.3% | −16.0% |
Wikimedia Deutschland e.V. | EUR 1,500,000 | EUR 1,200,000 | $1,346,000 | 80.0% | 42.9% |
Wikimedia Israel* | NIS 834,000 | NIS 834,000 | $212,000 | 100.0% | 8.3% |
Wikimedia Nederland | EUR 340,000 | EUR 340,000 | $381,000 | 100.0% | 11.8% |
Wikimedia Serbia | EUR 112,500 | EUR 112,500 | $126,000 | 100.0% | 13.9% |
Wikimedia Sverige | SEK 2,616,000 | SEK 2,616,000 | $309,000 | 100.0% | 2.3% |
Wikimedia UK* | GBP 310,000 | GBP 277,300 | $427,000 | 89.5% | −11.7% |
Wikimedia Ukraine | USD 75,000 | USD 75,000 | $75,000 | 100.0% | 82.2% |
Wikimedia Österreich | EUR 250,000 | EUR 250,000 | $280,000 | 100.0% | 9.6% |
Total | ~ USD 4,189,000 | ~$3,770,000 |
The FDC noted
“ | great diversity in budgeting detail, clarity and format among the different applicants. Incongruously, some of the largest requests came with the lowest level of budget detail or clarity. Even when asked for further clarity, the information provided in private remained less detailed than that which was given publicly by far smaller applicants. [...] Furthermore, the FDC specifically requests that the Wikimedia Foundation to improve its own level of planning transparency and budget detail [...] | ” |
Wikidata costs were a particular point of contention in the FDC recommendations:
“ | The FDC notes its disappointment that WMDE and WMF were unable to come to agreement on the appropriate funding stream for Wikidata in the year since the FDC’s 2014-15 recommendations, and strongly urges that these discussions be concluded. Nonetheless, the FDC is exasperated by the inability of WMDE to to disaggregate the costs of Wikidata from other projects. This level of fiscal specificity is standard and expected for projects requesting such a large funding envelope.
The FDC expects to receive a joint progress report from WMDE and WMF that confirms the plans for future funding of the Wikidata portion of the WMDE grant application, to be submitted in advance of the FDC deliberations for 2015-16 Round 2 scheduled in May 2016. |
” |
The publication of the Funds Dissemination Committee recommendations was also announced on the Wikimedia blog. The blog post contains further background on the FDC's work and methods. AK
Members of Wikimedia Germany reported on November 20 receiving phone calls from a call centre agency thanking them for their contributions, and suggesting they increase their financial support. Wikimedia Germany's Till Mletzko confirmed that the agency's calls were indeed made on behalf of Wikimedia Germany, and that there was a parallel mailing campaign to the same effect.
Community feedback was overwhelmingly negative. Volunteers objected to the fact that the call centre employee presented himself as "working for Wikipedia" and to the nuisance factor inherent in the "cold calling" approach. Achim Raschka, a founding member and former board member of Wikimedia Germany, went so far as to suggest it might be time to release a press statement "in the name of the authors of Wikipedia", advising the public to ignore calls for donations from the Wikimedia Foundation and Wikimedia Germany.
Mletzko at first defended the action, saying that many non-profits use telephone fundraising very successfully and this was merely an attempt to find out whether the same approach might also work for Wikimedia Germany, but promised to take community feedback into account in the campaign's evaluation. On November 23 he posted an update, saying the telephone campaign would be stopped with immediate effect. 108 members from a pool of 3,000 had been called; 44% of them agreed to increase their contributions. AK
In January, on Wikipedia's fourteenth anniversary, the Praemium Erasmianum Foundation announced that its prestigious annual Erasmus Prize would be awarded to the Wikipedia community (see previous Signpost coverage). On November 25, King Willem-Alexander of the Netherlands presented the prize to three representatives of that community: Phoebe Ayers (Phoebe), former member of the Wikimedia Foundation Board of Trustees (2010–12, 2013–15) and librarian at the Massachusetts Institute of Technology Libraries, Lodewijk Gelauff (Effeietsanders), former board member of Wikimedia Nederland (2006–11) and organizer of Wiki Loves Monuments, and Adele Vrana (wmf:User:AVrana_(WMF)) of the Wikimedia Foundation, who oversees Wikipedia Zero. All three and other Wikimedians were highlighted in a video produced by the Praemium Erasmianum Foundation, seen above. G
TASS reports that the Federal Drug Control Service of Russia (FSKN) has listed five articles on the Russian Wikipedia it wants blocked. FSKN said in a statement “Following the studies of the Russian language Wikipedia pages, four of them were recognized as forbidden ones.” Originally, five pages were listed for deletion but the fifth one had already been scrapped by the free online encyclopedia's administration. Russia’s media watchdog, Roskomnadzor, posted a tweet outlining which articles those were. (Nov. 24) L
Moscow Times reports that four Wikipedia editors met with representatives of FSKN, Roskomnadzor, and Rospotrebnadzor "to formalize channels of communication between the website and state bodies". The organizer of this meeting, Samal, was indefinitely blocked. The Times referenced a message from the "official Twitter blog" of "Russian Wikipedia", apparently referring to this tweet from Wikimedia Russia. Samal's block log states that the editor was blocked for "destructive behavior: uncoordinated actions on behalf of the Community". (Nov. 27) G
The Russian Wikipedia has been the subject of growing government interference and was briefly blocked entirely by the government in August (see previous Signpost coverage). Freedom House recently updated the status of internet freedom in Russia from "partly free" to "not free". These assessments are based on scores on a scale from 0 to 100 (0 = most free, 100 = least free); 0–30 are classed as "free", 31–60 as "partly free", 61–100 as "not free". Russia's score increased from 60 in 2014 to 62 in 2015.
A monthly overview of recent academic research about Wikipedia and other Wikimedia projects, also published as the Wikimedia Research Newsletter.
This paper[1] contributes to the discussion of the relation of Wikipedia and academia, in the context of the use of academic publications on Wikipedia. The authors looked at whether articles and academic books (monographs) indexed in the Scopus database (302,328 articles and 18,735 books) are cited by Wikipedia, other articles, and books. They found that only about 5% of all academic articles are cited on Wikipedia, compared with about 33% of books. Arts, humanities and social science books are cited almost twice as often as those from natural and medical sciences. The authors conclude that Wikipedia citations are not strongly related to scientific impact, but more so to the work's educational and cultural one. They further conclude that Wikipedia citations are likely a good source for understanding the work's non-scholarly impact, particularly for books. On that note, while the authors discuss some limitations of their study, they do not address the topic of open access, which could explain the discrepancy between the use of books (many of which are at least partially available through online through Google Books, a database the authors themselves used as well in this study) and articles (most of which are not available to an average reader). Therefore the authors' conclusion should be moderated by the fact that while in Wikipedia is not currently citing the majority of academic articles, as said majority is not readily available to the project contributors, further research is needed on whether Wikipedia can be used to understand the impact of scholarly open access sources. (See also the review of a related paper in our August issue: "Amplifying the Impact of Open Access: Wikipedia and the Diffusion of Science".)
In this blog post[2], Pierre-Carl Langlais relates how he used actor–movie relationships from Wikidata to graph and examine co-stardom networks in the 1920s and 1930s. His exploration, based on the assumption that transnational collaborations were easier in silent films productions, aimed to determine whether co-stardom networks tightened by country after the move to spoken film.
The author queried actor–movie data from Wikidata, processed it with R to create actor–actor relationships, and created graphs using Gephi for two periods: 1920–29 and 1930–39. He found that (software-determined) clusters of actors did seem to follow countries for the 1930–1939 period, with some overlap for countries with the same language. However, the software had less success identifying clusters for the 1920–1929 period. Some clusters mixed different countries, and some countries were split into several clusters. The author invited readers to explain those results. He also highlighted the case of transnational actors like Greta Garbo and Maurice Chevalier.
This article[3] discusses the Art and Feminism Wikipedia edit-a-thon, an event the authors describe as the largest of such events ever. Framed in the context of importance of gendered activism and information activism for librarians, it discusses what the authors perceive as a growing collaboration between gender and information activists that also includes Wikipedia GLAM activists. The article presents an interesting overview of this developing movement.
The planning for next year's Wikimania is in full swing. The organizers are experimenting with approaches that differ from those of previous years, and that includes asking the community a bit more explicitly as to what issues they'd like to see covered and what they'd like to learn about during Wikimania. One of the topics considered for this advance feedback is research, which is understood to encompass Wikimedia coverage of research-related topics as well as research on Wikimedia-related topics, and everything in between. How should such research-related topics be addressed by the event? If you have suggestions in this regard, please put them forward here. Thanks!
A list of other recent publications that could not be covered in time for this issue – contributions are always welcome for reviewing or summarizing newly published research.
Eight featured lists were promoted this week.
Five featured pictures were promoted this week.
The week following the Paris attacks (#5) shows those events very much on our minds, though some much less serious events are occupying other headlines. The appearance of a British socialite and current-U.K. reality show contestant Lady Colin Campbell at #1 seems a bit odd, but at least she beat out ISIL (#2). The much-touted fight between Holly Holm (#3) and Ronda Rousey (#4) at UFC 193 (#15) drew eyes away from more serious matters, as did Charlie Sheen (#6). Adele (#8), and her finally released new album (#20), maintains a place on the chart. More Paris or terrorism-related topics also appear deeper in the chart, with Anonymous (group) at #11, Mali at #14, Eagles of Death Metal at #16, ISIL leader Abu Bakr al-Baghdadi at #18, and Syria at #22.
For the full top-25 list, see WP:TOP25. See this section for an explanation of any exclusions. For a list of the most edited articles of the week, see here.
For the week of November 15 to 21, 2015, the ten most popular articles on Wikipedia, as determined from the report of the most viewed pages, were:
Rank | Article | Class | Views | Image | Notes |
---|---|---|---|---|---|
1 | Lady Colin Campbell | 2,969,403 | Campbell is a British socialite who is now appearing on the new season of Britain's I'm a Celebrity...Get Me Out of Here!, which debuted on November 15. If we did not have access to mobile views, this article would not top the list. But people shading their phone screens while googling Lady Campbell, counting for 86% of the views of this article, pushed it to #1 for the week. Frankly 86% is a really high mobile count, and frankly I don't understand the popularity, at least at the very high level of 2.9 million views. This reality series is one whose American version floundered, but has enjoyed great success elsewhere including in Britain, and in Germany where it is nicknamed "Das Dschungelcamp". And also, if Lady C. is needed to drop ISIS/ISIL out of the top spot, I'm fine with it. | ||
2 | Islamic State of Iraq and the Levant | 2,600,177 | Up from #6 last week, and almost triple last week's 896,501 views. If they are to be believed, the repellent non-state has finally managed to extend its war beyond its shredded borders and into the heart of the West. This is an unprecedented escalation from them, but then, if there's one thing they've proven themselves good at in the last few years, it's unprecedented escalation. Some see it as desperation; ISIL have suffered numerous substantial losses from bombing and Kurdish incursions. Others have pondered if it marks the first shot in a new generational conflict. | ||
3 | Holly Holm | 1,840,198 | At UFC 193 (#15) on November 15, the photogenic fighting phenomenon Ronda Rousey (#4) ended her 12-fight streak and handed her title to Holm in a shocking second-round knockout. Holm is the first person to win championships in both boxing and mixed martial arts. | ||
4 | Ronda Rousey | 1,793,510 | Up from #17 and 388,759 views last week, after falling to Holly Holm (#3). Last time she was on here, the former UFC women's bantamweight champion topped the list with over 2 million hits. | ||
5 | November 2015 Paris attacks | 1,688,712 | Often 1.6 million views is more than enough to top this chart. Of course, the appearance of Islamic State of Iraq and the Levant at #2 this week is because of this tragic event. | ||
6 | Charlie Sheen | 1,409,179 | This is the first time that the circus of craziness that is Mr. Sheen's life appears on the Top 25, and that's only because the Top 25 started in January 2013. His "winning" meme dates from the ancient days of 2011. On November 17, 2015, Sheen publicly revealed that he was HIV positive, having been diagnosed roughly four years earlier (whether it was pre or post "winning" I cannot tell.) Sheen claims that since 2011 he has paid extortionists approximately $10 million to keep his HIV positive status secret. | ||
7 | Jessica Jones | 973,228 | The Netflix series (#12) based on this Marvel Comics superhero, starring Krysten Ritter (pictured), debuted on November 20, 2015. | ||
8 | Adele | 903,238 | Up from #16 and 378,266 views last week, as the popular singer's new album 25 (#20) was released on November 20. | ||
9 | Prem Ratan Dhan Payo | 877,755 | Down also slightly from 920,622 views last week. Salman Khan (pictured) is having a good year. His Eid opener Bajrangi Bhaijaan is currently the second-highest-grossing Bollywood film of all time, and now this Diwali event film has beaten that film's record-breaking opening day, taking Rs 400 million ($6.1 million). | ||
10 | Spectre (2015 film) | 824,240 | The latest Bond film is down from three consecutive weeks at #3, but still with a very healthy 824,240 views. As of November 22, the film has now grossed over $675 million worldwide. |
For this week's Arbitration Report: another long-running case has been closed, while the voting process for this year's Arbitration Committee Elections has begun.
On 22 November, a little under three months since it opened in late August, the Palestine–Israel articles 3 case has been closed. The case stemmed from a dispute in the topic-area of the Israeli–Palestinian conflict; allegations of copyright violation were the proximate cause, along with sockpuppetry investigations, various ethnicity-related personal attacks, and the resultant noticeboard threads. Peace in the Middle East has been a long-standing problem in the real world, where tensions run especially high, even in comparison to the normally higher tensions that accompany discussion of political and religious views. Wikipedia is not immune to outside tensions being imported into on-wiki disputes, unfortunately. The strength of the Five Pillars is often tested in this particular topic-area, especially neutrality and civility, as the prior two ArbCom cases indicate.
The specifics of the initiation of this ArbCom case, ARBPIA3, were related to the use of administrative tools while blocked. There was a Level 1 emergency desysop, which one sitting arbitrator noted was an "extremely rare" procedure, on that specific basis. Although administrators are held to a higher standard with regard to civility and other behavioral criteria, the stated cause of the emergency desysop on 18 August was the tool use. The full ArbCom case, which was accepted, was explicitly of a scope not specific to the particulars of the events involving the small number of named parties, but rather "with the aim of reviewing... existing sanction provisions in the prior Palestine–Israel articles case" of 2009; later amended in 2011 (as well as here), and related motions were also passed in 2012.
...the "area of conflict" shall be defined as it was defined in the (2008) Palestine–Israel articles case, encompassing the entire set of Arab-Israeli conflict-related articles, broadly interpreted... throughout the project. —WP:ARBPIA2, in 2009
The following remedies were the result of the ARBPIA3 case:
All anonymous IP editors and accounts with less than 500 edits and 30 days tenure are prohibited from editing any page that could be reasonably construed as being related to the Arab-Israeli conflict. This prohibition may be enforced by reverts, page protections, blocks, the use of Pending Changes, and appropriate edit filters.
Uninvolved administrators are encouraged to monitor the articles covered by discretionary sanctions in the original Palestine–Israel case to ensure compliance. To assist in this, administrators are reminded that:
- Accounts with a clear shared agenda may be blocked if they violate the sockpuppetry policy or other applicable policy;
- Accounts whose primary purpose is disruption, violating the policy on biographies of living persons, or making personal attacks may be blocked indefinitely;
- There are special provisions in place to deal with editors who violate the BLP policy;
- Administrators may act on clear BLP violations with page protections, blocks, or warnings even if they have edited the article themselves or are otherwise involved;
- Discretionary sanctions permit full and semi-page protections, including use of pending changes where warranted, and – once an editor has become aware of sanctions for the topic – any other appropriate remedy may be issued without further warning.
—WP:ARBPIA3, in 2015
The specific portion of the remedy which permits discretionary-sanctions reverts of new editors and new usernames (those who have been editing for less than one month and/or have fewer than 500 edits) was first utilized in summer 2015 during the GamerGate case, another topic-area which also involves high tensions and sockpuppetry. The handling of both these cases have been mentioned during the ongoing ArbCom election process.
Table of the unofficial advertised voter-guides[a] by individual wikipedians.
guide | Cal. | Cas. | Drm. | Gam. | Gor. | Haw. | Hul. | Kei. | Kel. | Kev. | Kir. | Kud. | Lfa. | Mah. | Mar. | NEE. | Opa. | Ric. | Thr. | Tim. | Wil. |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Tot.[b] | 70% 5th |
+ 91% 2nd |
+ 84% 4th |
27% 14th |
Low 46% 9th[c] |
-- 10% 18th |
33% 10th |
~ 57% 7th |
+ 88% 3rd |
-- 13% 17th |
30% 11th |
~ 54% 8th |
28% 13th |
-- 4% 20th |
-- 9% 19th |
~ 61% 6th |
+ 95% 1st |
27% 15th |
26% 16th |
Out |
30% 12th |
AGK | ?? | mu[d] | ?? | ?? | mu | ||||||||||||||||
Beg. | mu | mu | |||||||||||||||||||
Bis. | ?? | ?? | mu | ||||||||||||||||||
Boi. | -- | mu | |||||||||||||||||||
Carc. | ~ | ~ | ~ | ~ | ~ | ||||||||||||||||
Carr. | + | + | -- | -- | -- | -- | + | ||||||||||||||
Col.[e] | 'C' | + | 'C' | + | + | n | 'C' | + | 'C' | ||||||||||||
Eal. | mu | + | + | ~ | mu | mu | ~ | mu | |||||||||||||
Elo. | ?? | ~ | ~ | ||||||||||||||||||
Fuz. | ?? | ?? | ?? | ?? | ?? | ?? | ?? | ?? | ?? | ?? | ?? | ?? | ?? | ||||||||
HJM. | mu | mu | mu | ||||||||||||||||||
Cat. [f] | ?? | mu | ?? | ?? | |||||||||||||||||
MON. | mu | mu | mu | ||||||||||||||||||
MZM. | |||||||||||||||||||||
Pet. | -- | -- | |||||||||||||||||||
Pld. | mu | + | + | -- | + | + | |||||||||||||||
Rea. | ~ | + | + | + | -- | -- | + | -- | mu | + | |||||||||||
Reg. | mu | mu | mu | mu | mu | mu | |||||||||||||||
SBJ. | |||||||||||||||||||||
Sil.[g] | + | + | mu | ~ | -- | mu | ~ | ~ | ~ | mu | -- | -- | mu | + | mu | -- | |||||
Sja. | mu | mu | mu | mu | mu | ||||||||||||||||
Sma. | mu | mu | mu | ||||||||||||||||||
Own. | ~ | ~ | ~ | ||||||||||||||||||
Try. | |||||||||||||||||||||
Wor. | -- | mu | mu | mu | |||||||||||||||||
Yng. | + | + | mu | + | + | mu |
As we reported last week, there are 20 candidates in 2015, seeking to fill up to nine open seats on the Committee. The number of candidates is now at 20 after one editor announced their withdrawal from the election on 25 November. As the election must go on, on 23 November at 00:00 UTC, voting for the 2015 election began via Special:SecurePoll. Polls will remain open to eligible voters (currently unblocked usernames registered before 28 October with 150+ edits to mainspace before 1 November) through 6 December at 23:59 UTC.
More than 500 Wikipedians cast votes during the first 24 hours of polling, a figure which was markedly higher than in the previous year, and by 28 November over 2000 votes had been cast. Voter-participation in the 2014 ArbCom election was 593 legitimate non-duplicate ballots, lower than in previous years. After a series of discussions at WP:AN and User talk:Jimbo Wales, among other places, consensus developed that during 2015 elections a WP:MassMessage would be sent out to the roughly one hundred thousand eligible ArbCom voters, via their user talk pages. Election commissioner Mdann52 helped implement the actual message.
To learn more about the candidates, review their campaign-statements, which link to their contributions and other information about them. Questions for candidates are ongoing, and will continue throughout the voting-period. In addition, there are now more voter-guides than there are candidates; written by individual wikipedians, these guides provide arb-candidate criteria, and often specific support/oppose advice (see table at right), for editors unfamiliar with ArbCom, or unfamiliar with specific candidates. At least a dozen other candidate-analysis pieces have been published on-wiki, plus a special report last week in the Signpost.
As there has been one withdrawal since the voting began, and since candidates will continue to answer questions throughout the 6 December close of the SecurePoll, please note that voters "may revisit and change their decisions" by returning to the voting booth and re-entering their revised preferences. Finally, for technical reasons, voters should cast their vote by "an hour before the close of voting" or so, to ensure their vote will be counted.
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On October 28, the Reiss Engelhorn Museum in Mannheim, Germany, served a lawsuit against the Wikimedia Foundation and later against Wikimedia Deutschland, the local German chapter of the global Wikimedia movement. The suit concerns copyright claims related to 17 images of the museum’s public domain works of art, which have been uploaded to Wikimedia Commons. The Wikimedia Foundation and Wikimedia Deutschland are reviewing the suit, and will coordinate a reply by the current deadline in December.
The Wikimedia Foundation and Wikimedia Deutschland stand firmly in our commitment to making public works freely and openly available. Public institutions such as galleries and museums serve a similar mission, and have historically been our allies in making the world’s knowledge accessible to all. With this lawsuit, the Reiss Engelhorn Museum is limiting public access to culturally important works that most of the world would otherwise not be able to access.
The paintings, portraits, and other works of art at issue in this case are housed in the Reiss Engelhorn Museum, but exist freely in the public domain. However, German copyright law may apply to photographs of works in the public domain, depending on a number of different factors, including the artist who created the work, the amount of skill and effort that went into the photograph, creativity and originality in the photograph, and the actual art itself. The Reiss Engelhorn Museum asserts that copyright applies to these particular images because the museum hired the photographer who took some of them and it took him time, skill, and effort to take the photos. The Reiss Engelhorn Museum further asserts that because of their copyrights, the images of the artwork cannot be shared with the world through Wikimedia Commons.
The Wikimedia Foundation and Wikimedia Deutschland believe that the Reiss Engelhorn Museum’s views are mistaken. Copyright law should not be misused to attempt to control the dissemination of works of art that have long been in the public domain, such as the paintings housed in the Reiss Engelhorn Museum. The intent of copyright is to reward creativity and originality, not to create new rights limiting the online sharing of images of public domain works. Moreover, even if German copyright law is found to provide some rights over these images, we believe that using those rights to prevent sharing of public domain works runs counter to the mission of the Reiss Engelhorn Museum and the City of Mannheim and impoverishes the cultural heritage of people worldwide.
Many cultural institutions have made it their mission to make their collections more accessible to people around the world. In October, the Museum für Kunst und Gewerbe in Hamburg, Germany made its collection available for free online. Amsterdam’s Rijksmuseum has provided free online access to all of its paintings, including the ability to download and use the reproductions under the CC0 Public Domain Dedication license. In Denmark, SMK (Statens Museum for Kunst, The National Gallery of Denmark) has released its digital images and videos under the CC-BY license. The British Library and the Japan Center for Asian Historical Records jointly released more than 200 Japanese and Chinese prints into the public domain.
These cultural institutions are upholding the values of the public domain and protecting the right to take part in our cultural heritage. The Reiss Engelhorn Museum’s attempt to create new copyright in public domain works goes against European principles on the public domain.
In a Communication on August 11, 2008, the European Commission wrote: “it is important to stress the importance of keeping public domain works accessible after a format shift. In other words, works in the public domain should stay there once digitised and be made accessible through the internet.” This was reinforced by the Europeana Charta of 2010 that reads: “No other intellectual property right must be used to reconstitute exclusivity over Public Domain material. The Public Domain is an integral element of the internal balance of the copyright system. This internal balance must not be manipulated by attempts to reconstitute or obtain exclusive control via regulations that are external to copyright”.
Over the years, the Wikimedia movement has enjoyed rich partnerships with museums and galleries around the world through the GLAM-Wiki initiative, which helps cultural institutions share their resources with the world through collaborative projects with experienced Wikipedia editors. The relationships have allowed millions of people from around the globe to access and enjoy institutional collections in places they may never have the chance to visit. Wikimedia Deutschland alone has worked with more than 30 museums in Germany to make their collections freely available to anyone, anywhere through the Wikimedia projects. These partnerships are part of a vital effort to allow cultural institutions and Wikimedia to serve their missions of free knowledge and shared culture.
People around the world use Wikipedia to discover and understand the world around them. Thanks to the Internet, many traditional barriers to knowledge and learning have disappeared. Denying online access to images in the public domain prevents people from exploring our shared global cultural heritage. We urge the Reiss Engelhorn Museum to reconsider its position and work with the Wikimedia community to make their public domain works more broadly available.
A German-language statement from Wikimedia Deutschland is available on their blog. A full list of the images affected is on Wikimedia Commons.